Håkan Lindskog
Mariedalsvägen 4
234 35 Lomma
Ateljé:
Mariedalsvägen 4, 234 35 Lomma
Tel: +(0)46 (0)70-670 83 45
Mail: hakan(at)studiolindskog.com
URL: https://www.studiolindskog.com
Jag är målande bildkonstnär, landskapsingenjör och pedagog.
Född 1945 i Lomma kommun i Skåne.
Landskapsingenjör 1970. Undervisade vid Sveriges Lantbruksuniversitet 1971-1986 - med ledighet för pedagogiska studier vid Uppsala Universitet 1972-73
samt som markbyggnadsingenjör - trädgårdskonstruktör och besiktningsman vid Svenska Riksbyggen i Malmö 1978-80
Undervisade med temporära uppdrag vid KY - Kvalifcerad Yrkesutbildning i färg- form och kreativitet, Enköpings Kommun KY-myndighet, under åren 2002 - 2010
Jag skrev boken "Akvarellmålning - de viktiga grunderna" med ISBN nr 91-534-2065-9, som utgavs på ICA Bokförlag år 2000.
Curriculum vitae
Håkan “Lin Haogan” Lindskog Imaging artist, landscape architect and pedagogue.
Born 1945 in Lomma, Skania. Landscape engineer 1970.
Taught at the Swedish University of Agriculture 1971-1986.
Has since been primarily an artist of water colour, while managing courses in
colour, shape, freehand drawing and creativity, with water colour painting as a speciality.
The book “Akvarellmålning, de viktigaste grunderna” (Water Colour, The Basics)
ISBN: 91-534-2065-9 by H. Lindskog’s hand, was published by ICA bokförlag in 2000.
Artistic Education
Famous Artist’s course for art and commercial design 1967-1970
Målarskolan (painter’s school) Forum-ABF in Malmö 1976-1979
H Lindskog has during the years 1978-2018 participated in around 70 solo exhibitions,
as well as around the same amount of collective exhibitions.
Solo exhibitions, a selection
Galleri Engeln, Lund 1980
Galerie Tellus, Lomma 1981
Kurgarten Bad Honnef, Tyskland 1981
Galeri Kramy Dominikanskie, Krakow Polen 1981
Galleri 101, Malmö 1981
Galleri Tittenté, Svedala
Galleri Nykvarn, Enköping 1981,84, 88, 92, 96, 2000 - 2013
Galerie Peppers, Linz am Rhein Tyskland 1989
Galerie 9 Celle, Tyskland 1990
Rathaus Munster, Tyskland 1985
The Norwegian Church, Singapore
Galleri Norrljus, Umeå 1996
Greenleaf Gallery, Nags Head USA 1993
Galleri 111:an, Lomma 1998
Galleri Abrahamsgården, Norberg 1994, 2010
Galleri Mollbrinks Konst, Uppsala 1996
Galleri Smedbyn, Huskvarna 1997
Galleri Wallenfels, Kiel Tyskland 1989
Galleri Kammaren, Stockholm
Galleri Inre Rummet, Skövde
Galleri Hultman, Åstorp 2007, 2014
Muséet Kraften, Lomma 2015
Konstveckan/Konstrundan i Västra Skåne 1982–2016
Konstrundan i Halland 2002 - 2018
Tofta Konstgalleri, Varberg 2016
Konstliv Halland, Konstrundan i Halland 2002 – 2016
Ateljé 25, Alnarp 2016
Mariestads Kfr 2017
Galleri Målhammar, Enköping 2018
Fältströmska Gården, Falkenberg 2018
Collective exhibitions, a selection
Galleri Ett, Göteborg 1978
Konsthallen Lund – Lunds Kommun
Galleri Art, Puckeln Stockholm
Galleri Malen, Borstahusen Landskrona
Galleri Hamnen, Viken
Slottsgalleriet Huseby
Lilla Galleriet, Eslöv
Galerie Augstmϋhle, Monreal Tyskland
Konsthallen Landskrona
Larsson Art, Köln Tyskland
Schwedische Kunst, Trier Tyskland
Forum Galleria, Singapore
Galleri Gamla Sta´n, Helsingborg
Konstfestivalen Natura-91 och -92, Vårgårda
Köpmansmagasinet, Smygehamn
Galleri S, Tibro
IAOCA annual exhibitions, Kyoto Japan 1995
Sweden House, Bryssel Belgien 1998
Swedisch Art, Aalst Belgien1997
Hagasalongen, Stockholms Konstsalong 2005-2015
Casino Cosmopol, Malmö
Galerie Vanderweckene ”A la recontre de la Suède” , Visé, Belgien
Galleri Bruket, Rydebäck
Galleri Art On, Göteborg
Art Nordic, Sv Mässan Göteborg
Scanian Art Group, Kulturhuset Björnen, Åstorp 2012, 2013, 2014
SAG Lomma Muséum ”Kraften” 2014, 2015, 2016
Lomma Museum, Kraften 2008 – 2012, 2014, 2015
Galleri Maria Thorlund, Lund 2015,2017
Galleri Broby Gård, Enköping 2017
Purchase, presentation and public decoration
Statens Konstråd 1981
Lunds Kommun
Kungl. Ingenjörsakademien
Galerie Du Musée, Paris
”Konsthotellet” Hammarby Sjöstad
Bergslagsgruppen, Norberg
Pilängsskolan Lomma Kommun
Lidén-Data, Enköping
Arlanda Hotellby VIP svit, Arlanda Stad
Jury-rated exhibitions
1993 Center for the Art, Virginia Beach USA
1994, 1996 Vårsalong Vikingsbergs Konstmuseum Hbg
2000 Vårsalong Liljevalchs Konsthall
2000 och 2005 Höstsalong Väsby Konsthall
2004 Sommarsalong Romelegårdens Konsthall
2014 Höstsalong Galleri Hultman, Åstorp
Scholarships
H. Lindskog erhöll Svalövs Kommun Kulturstipendium 1994 samt
Hagasalongens och Kreatimas stipendier 2005. Stockholms
Konstsalong stipendium ”Publikens val” 2014.
Member of
SAG - Scanian Art Group, Svenska Konstnärer, Västra Skånes
Konstnärer, Konstliv Halland, BUS-Bildupphovsrätt i Sverige,
Ordförande i organisationen Konstliv Halland 2010-2018
och i Scanian Art Group sedan 2013
Artist Statement
With love for painting – 40 years of only water colour
Since my youth I have expressed myself and experimented with all known classical medias,
mainly drawing and painting.
During the last 40 years I have only worked with water colour.
Temptation of Nordic melancholy
A strong will to create aesthetically pleasing expressions comes to me from happenings,
or sceneries that cause me to meditate, dream or feel an, often semi-melancholic, atmosphere,
in the light of Nordic melancholy, cold, clarity and folklore.
Inspired by colour that is ”alive”, scent and music
I have also found inspiration in the challenge that the living,
on paper floating, water colour, with its “own will” gives me.
I receive great stimulation from the interaction between shapes,
colours, nuances, sound, scents, and not least music.
The idea becomes subject to stimulation
An, often weak, idea of an image grows successively stronger,
in the dialogue between me and my workspace.
The idea becomes exposed to experimentation and stimulation of paintbrush,
colour and water on a watercolour paper with exciting grain.
The foundation attracts dialogue
With a good paintbrush and clear water, I paint an initial colour with a few nuances
on the white paper.
The surface responds with its first expression: “This is how I turned out now –
how do you wish to continue?”
I respond again with the next shade of colour –
an action driven by my idea of the image.
The paper reacts - answers – the dialogue is in action.
To affirm the possibility to “sink into the image” I avoid visible brushstrokes,
with strokes that would, in a disturbing way, highlight the paper’s surface.
I have narrowed down my pallet to the basic colours of yellow, red and blue.
I work in many light layers that accentuate brilliance and cleanness.
Tofta the 11th of september 2018
